Script potential of THE CREATOR is 35-43MM in the domestic market

 

• The script of CREATOR will appeal to 1.14-1.40% of the population
• 88% events in CREATOR are borrowed from 4 mythological tales

 

Script of THE CREATOR will appeal to 1.14-1.40% of the population

 

Any story is the quest to fulfil a human desire. We have identified universal quests for every human desire. These universal quests reveal the invisible plot structure of stories. An analysis of Blockbuster, Hit & Flop plots led to the discovery of Mythosis Code. The Code reveals the story principles shared by all Blockbusters. We use the Code to estimate and unlock a story’s Blockbuster potential.

 

• All Blockbusters are made up of at least 3 universal quests. CREATOR uses 2 universal quests of Idealism (every basic human desire has a fulfilled & an unfulfilled quest) and one each of Family & Power. 

• In Blockbusters, each universal quest is mirrored by ONLY ONE character. Joshua mirrors the universal quest of Idealism & Family, Alphie mirrors the fulfilled quest of Idealism & Andrew/Howell mirrors the quest of Power.

• Every Blockbuster character borrows at least 35% of the universal quest. Joshua’s character borrows 21% of the universal quest of Idealism & 19% of the quest of Family. Alphie’ character borrows 12% of the fulfilled quest of Idealism and Andrew/Howell borrows 21% of the quest of Power.

• Blockbusters interweave different quests to create a tight plot structure. Interweaving occurs when events of 2 quests occur simultaneously in the story. Blockbusters have a quest interweaving threshold of 0.5. CREATOR’s quest interweaving score is 0.67 and above par. An example of interweaving between the quests of Joshua & Alphie:

• Blockbusters have a script score of at least 0.64 whereas CREATOR’s script score is 0.04. Based on the script score we estimate that the movie will appeal to 1.14-1.40% of the population.

 

The plot structure of CREATOR reveals character inconsistency & plot gaps. Joshua’s character is inconsistent since he borrows from 2 universal quests. Moreover, Joshua’s character quest leaves out important events resulting in gaps within the plot. Additionally, none of the characters have a well-developed, robust quest.

 

88% events in THE CREATOR are borrowed from 4 mythological tales

 

At Mythosis, we have identified 32 mythological tales. Each mythological tale uniquely represents a human quest to fulfil a desire. These tales are the super set of thousands of tales across cultures. We have codified the events of each mythological tale. Every tale has 5 major arcs. Each arc has a sequence of events. These events culminate into a major event. Here is the mapping of each character’s quest to the major events in their respective mythological tale.

 

Quest 1: Joshua mirrors 21% of Prometheus’ quest for Idealism (below threshold of 35%)

Joshua’s desire for Idealism stems from the need for fairness & justice. The tale of Prometheus from Greek mythology is the universal unfulfilled quest for Idealism.

Quest 2: Joshua mirrors 19% of Demeter’s quest for Family (below threshold of 35%)

Joshua’s desire for Family stems from the need to nurture & protect. The tale of Demeter from Greek mythology is the universal quest for Family.

Quest 3: Alphie mirrors 12% of Krishn’ quest for Idealism (below threshold of 35%)

Alphie’ desire for Idealism stems from the need for fairness & justice. The tale of Krishn from Hindu mythology is the universal fulfilled quest for Idealism.

Quest 4: Andrew/Howell together mirror 21% of Duryodhan’s quest for Power (below threshold of 35%)

Their desire for Power stems from the need to dominate others. The tale of Duryodhan from Hindu mythology is the universal quest for Power.

 

The script potential of SAW X is 40-50MM in the domestic market

 

• The script of SAW X will appeal to 1.18-1.44% of the population
• 88% events in SAW X are borrowed from 2 mythological tales

 

The script of SAW X will appeal to 1.18-1.44% of the population

 
Any story is the quest to fulfil a human desire. We have identified universal quests for every human desire. These universal quests reveal the invisible plot structure of stories. An analysis of Blockbuster, Hit & Flop plots led to the discovery of Mythosis Code. The Code reveals the story principles shared by all Blockbusters. We use the Code to estimate and unlock a story’s Blockbuster potential.
 

• All Blockbusters are made up of at least 3 universal quests. SAW X uses 2 universal quests of Vengeance & Power.
• In Blockbusters, each universal quest is mirrored by ONLY ONE character. Kramer mirrors the universal quests of Vengeance whereas Cecilia mirrors the quest of Power. Both Amanda & Parker don’t have any developed quest.
• Every Blockbuster character borrows at least 35% of the universal quest. Kramer’s character borrows 28% of the universal quest of Vengeance. Cecilia’ character borrows 29% of the universal quest of Power.
• Blockbusters interweave different quests to create a tight plot structure. Interweaving occurs when events of 2 quests occur simultaneously in the story. Blockbusters have a quest interweaving threshold of 0.5. SAW X’s quest interweaving score is 0.33 and below par. An example of interweaving between Kramer & Cecilia’s quests:

        

• Blockbusters have a script score of at least 0.64 whereas SAW X’s script score is 0.04. Based on the script score we estimate that the movie will appeal to 1.18-1.44% of the population.

 

The plot structure of SAW X borrows from only 2 universal quests unlike Blockbusters which borrow from at least 3 quests. Both the characters of Kramer & Cecilia are well developed borrowing marginally below the threshold from their respective quests.

 

 

88% events in SAW X are borrowed from 2 mythological tales

 
At Mythosis, we have identified 32 mythological tales. Each mythological tale uniquely represents a human quest to fulfil a desire. These tales are the super set of thousands of tales across cultures.
We have codified the events of each mythological tale. Every tale has 5 major arcs. Each arc has a sequence of events. These events culminate into a major event. Here is the mapping of each character’s quest to the major events in their respective mythological tale.
 
Quest 1: Kramer mirrors 28% of Dron’ quest for Vengeance (marginally below threshold)
Kramer’s desire for Vengeance stems from the need to confront offenders. The tale of Dron from Hindu mythology is the universal quest for Vengeance.

Quest 2: Cecilia mirrors 29% of Circe’ quest for Power (marginally below threshold)
Cecilia’ desire for Power stems from the need to dominate others. The tale of Circe from Greek mythology is the universal quest for Power.

The script potential of Dumb Money is 11-14MM in the domestic market

• The script of Dumb Money will appeal to 0.47-0.57% of the population
• 95% events in Dumb Money are borrowed from 2 mythological tales

 

The script of Dumb Money will appeal to 0.47-0.57% of the population

 

Any story is the quest to fulfil a human desire. We have identified universal quests for every human desire. These universal quests reveal the invisible plot structure of stories. An analysis of Blockbuster, Hit & Flop plots led to the discovery of Mythosis Code. The Code reveals the story principles shared by all Blockbusters. We use the Code to estimate and unlock a story’s Blockbuster potential.

• All Blockbusters have at least 3 universal quests. Dumb Money has 2 universal quests of Independence and Power. 

• In Blockbusters, each universal quest is mirrored by ONLY ONE character. Keith mirrors the universal quest of Independence & Gabe mirrors the quest of Power.

• Every Blockbuster character borrows at least 35% of the universal quest. Keith’s character borrows 27% of the universal quest of Independence. Gabe’s character borrows 19% of the universal quest of Power.

• Blockbusters interweave different quests to create a tight plot structure. Interweaving occurs when events of 2 quests occur simultaneously in the story. Blockbusters have a quest interweaving threshold of 0.5. Dumb Money’s quest interweaving score of 0.33 is below par. Here is an example of quest interweaving of Keith & Gabe: 

• Blockbusters have a script score of at least 0.64 whereas Dumb Money’s script score is 0.02. Based on the script score we estimate that the movie will appeal to 0.47-0.57% of the population.

The plot structure of Dumb Money uses 2 universal quests unlike Blockbusters which use at least 3 quests. Moreover, both the quests don't have sufficient depth, as a result, no character is strong. 

 

95% events in Dumb Money are borrowed from 2 mythological tales

 

At Mythosis, we have identified 32 mythological tales. Each mythological tale uniquely represents a human quest to fulfil a desire. These tales are the super set of thousands of tales across cultures. We have codified the events of each mythological tale. Every tale has 5 major arcs. Each arc has a sequence of events. These events culminate into a major event. Here is the mapping of each character’s quest to the major events in their respective mythological tale.

 

Quest 1: Keith mirrors 27% of David’s quest for Independence (below threshold of 35%)

Keith’s desire for Independence stems from the need for self-reliance. The tale of David from Abrahamic mythology is the universal quest for Independence.

Quest 2: Gabe mirrors 19% of Duryodhan’s quest for Power (below threshold of 35%)

Gabe’s desire for Power stems from the need to dominate others. The tale of Duryodhan from Hindu mythology is the universal quest for Power.