Wednesday, November 8, 2023

Script potential of Killers of the Flower Moon is 75-91MM in the domestic market

 
KILLERS OF THE FLOWER MOON poster copyright belongs to Paramount Pictures & Apple Original Films


      • The script of Killers of the Flower Moon will appeal to 1.88 – 2.20% of the population
      • 93% events in Killers of the Flower Moon are borrowed from 3 mythological tales
 

Script of Killers of the Flower Moon will appeal to 1.88 – 2.20% of the population

 
Any story is the quest to fulfil a human desire. We have identified universal quests for every human desire. These universal quests reveal the invisible plot structure of stories. An analysis of Blockbuster, Hit & Flop plots led to the discovery of Mythosis Code. The Code reveals the story principles shared by all Blockbusters. We use the Code to estimate and unlock a story’s Blockbuster potential.
 
  • All Blockbusters are made up of at least 3 universal quests. Killers of the Flower Moon uses 3 universal quests of Power, Social contact & Tranquillity.
  • In Blockbusters, each universal quest is mirrored by ONLY ONE character. Hale mirrors the universal quest of Power, Ernest mirrors the quest of Social contact & Mollie mirrors the quest of Tranquillity.
  • Every Blockbuster character borrows at least 35% of the universal quest. Hale’s character borrows 27% of the universal quest of Power. Ernest’ character borrows 18% of the quest of Social contact. Mollie borrows 10% of the quest of Tranquillity.
  • Blockbusters interweave different quests to create a tight plot structure. Interweaving occurs when events of 2 quests occur simultaneously in the story. Blockbusters have a quest interweaving threshold of 0.5. Killers of the Flower Moon’s quest interweaving score is 0.33 and below par. An example of interweaving between the quests of Hale & Mollie:
KILLERS OF THE FLOWER MOON’s script interweaves the tales of Circe & Odysseus

  • Blockbusters have a script score of at least 0.64 whereas Killers of the Flower Moon’s script score is 0.07. Based on the script score we estimate that the movie will appeal to 1.88 – 2.20% of the population.
 
Even though the plot structure of Killers of the Flower Moon borrows from 3 universal quests, it leverages only 2 universal quests since Mollie’s quest is non-existent. Moreover, the 2 dominant quests aren’t interwoven with each other.

 

93% events in Killers of the Flower Moon are borrowed from 3 mythological tales

 
At Mythosis, we have identified 32 mythological tales. Each mythological tale uniquely represents a human quest to fulfil a desire. These tales are the super set of thousands of tales across cultures. We have codified the events of each mythological tale. Every tale has 5 major arcs. Each arc has a sequence of events. These events culminate into a major event. Here is the mapping of each character’s quest to the major events in their respective mythological tale.
 
Quest 1: Hale mirrors 27% of Circe’s quest for Power (below threshold of 35%)

Hale’s desire for Power stems from the need to dominate others. The tale of Circe from Greek mythology is the universal quest for Power.

In KILLERS OF THE FLOWER MOON, Hale borrows from the Greek mythological tale of Circe


Quest 2: Ernest mirrors 18% of Valmiki’s quest for Social contact (below threshold of 35%)

Ernest’ desire for Social contact stems from the need for companionship. The tale of Valmiki from Hindu mythology has a robust expression in Dicken’s character of Scrooge which is the universal quest for Social Contact.

In KILLERS OF THE FLOWER MOON, Ernest borrows from the Hindu mythological tale of Valmiki


Quest 3: Mollie mirrors 10% of Odysseus’s quest for Tranquillity (below threshold of 35%)

Mollie's desire for Tranquillity stems from the need to be in a secure environment. The tale of Odysseus from Greek mythology is the universal quest for Tranquillity.

In KILLERS OF THE FLOWER MOON, Mollie borrows from the Greek mythological tale of Odysseus


 
 

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